{"id":11582,"date":"2017-12-10T05:00:00","date_gmt":"2017-12-10T05:00:00","guid":{"rendered":"http:\/\/www.fivecontinentseditions.com\/prodotto\/le-bleu-des-mers-2\/"},"modified":"2025-01-08T08:44:42","modified_gmt":"2025-01-08T08:44:42","slug":"le-bleu-des-mers-2","status":"publish","type":"product","link":"https:\/\/www.fivecontinentseditions.com\/en\/p\/le-bleu-des-mers-2\/","title":{"rendered":"Le Bleu des Mers"},"content":{"rendered":"<p>This book reflects and was inspired by the growing interest throughout the world in the development of commercial, cultural and artistic relations between East-Asia and Europe. This contact began with the Pax Mongolica and became more firmly established with the burgeoning exploration of the world by Europeans at the end of the 15<sup>th<\/sup> century. The book traces the enthralling adventures of the Portuguese and Dutch explorers who ranged the seas in their search for spices and returned with a corner of their holds kept aside for a novelty, Chinese blue and white porcelain produced during the Ming dynasty (1368\u20141644). This porcelain created a sensation and was immediately collected by Europe\u2019s royal families before it became more widely available thanks to the large cargoes of the merchantmen of the Dutch East India company, VOC. Its introduction into western lands, was to have a profound influence on the local decorative arts, whether Safavid Persian pottery or European painting, to which the book devotes two chapters. Chinese porcelain appears in Muslim miniatures and in still lifes, even those of a religious nature, revealing how these precious objects were used and their impact on daily life. Thanks to this interweaving of historical and artistic perspectives, the text and pictures lead the reader on a voyage of discovery of how Chinese ceramics became a constant presence in daily life.<\/p>\n<p><strong>Monique Crick<\/strong> is an art historian specializing in East Asian art. After a long period as an independent researcher working on special assignments at the Mus\u00e9e national des Arts asiatiques-Guimet and the Mus\u00e9e Cernuschi, where she founded the Soci\u00e9t\u00e9 Fran\u00e7aise d\u2019 \u00e9tudes de la C\u00e9ramique Orientale, in 2003 she was appointed director of the Fondation Baur, mus\u00e9e des Arts d\u2019Extr\u00eame-Orient in Geneva. She has taken part in several underwater archaeological excavations in South-East Asia. Monique Crick has written several articles and catalogues and has appeared on the scientific committee of numerous exhibitions.<br \/>\n<strong>Yolande Crowe<\/strong> is an independent researcher and art historian specializing in Islamic art, teaching ceramics and architecture in England and in the United States. She has also worked on archaeological material from sites in Iran and Afghanistan. She has written several articles on the decorative arts and architecture of Islam. Yolande Crowe\u2019s research is mainly concerned with transcultural relations across Eurasia. She is the author of <em>Persia and China: Safavid Blue and White Ceramics in the Victoria and Albert Museum 1501-1738<\/em>, published in 2002.<br \/>\n<strong>Alice Frech<\/strong> joined De Jonckheere, a gallery specializing in 16<sup>th<\/sup>&#8211; and 17<sup>th<\/sup>-century Flemish painting, after obtaining her \u201clicence\u201d in the History of Art at the University of Strasbourg, followed by an MBA in Art Market Administration. At the same time, she presented a Master\u2019s dissertation on still life connoisseurs in 18<sup>th<\/sup>-century salons under the supervision of Professor Alain M\u00e9rot and V\u00e9ronique G\u00e9rard-Powell at Universit\u00e9 de Paris IV- Sorbonne. Alice Frech has been the director of the De Jonckheere gallery in Geneva since 2011 and is in charge of document research.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This book reflects and was inspired by the growing interest throughout the world in the development of commercial, cultural and artistic relations between East-Asia and Europe. This contact began with the Pax Mongolica and became more firmly established with the burgeoning exploration of the world by Europeans at the end of the 15th century. The&hellip;<\/p>\n","protected":false},"featured_media":11559,"template":"","meta":{"_acf_changed":false,"inline_featured_image":false},"product_brand":[],"product_cat":[61,52],"product_tag":[],"class_list":{"0":"post-11582","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-applied-arts","7":"product_cat-asian-art","8":"disponibilita-si","9":"description-off","11":"first","12":"instock","13":"shipping-taxable","14":"purchasable","15":"product-type-simple"},"acf":[],"_links":{"self":[{"href":"https:\/\/www.fivecontinentseditions.com\/en\/wp-json\/wp\/v2\/product\/11582","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fivecontinentseditions.com\/en\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/www.fivecontinentseditions.com\/en\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fivecontinentseditions.com\/en\/wp-json\/wp\/v2\/media\/11559"}],"wp:attachment":[{"href":"https:\/\/www.fivecontinentseditions.com\/en\/wp-json\/wp\/v2\/media?parent=11582"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/www.fivecontinentseditions.com\/en\/wp-json\/wp\/v2\/product_brand?post=11582"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/www.fivecontinentseditions.com\/en\/wp-json\/wp\/v2\/product_cat?post=11582"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/www.fivecontinentseditions.com\/en\/wp-json\/wp\/v2\/product_tag?post=11582"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}